Monday 31 December 2018

Make Robert Bruce a better movie!

For my Edinburgh New Year's Eve stuck sitting around with a miserable cold, I went for an all Scottish theme with my television viewing. This included the Netflix film Outlaw King.

No, sir, I didn't like it. 

Which is sad, because it's about time somebody made a movie about Robert the Bruce. Especially since a good chunk of the blockbuster Braveheart was stuff that probably happened to Robert (the rest being a combination of what little is known about William Wallace and a bunch of made-up Hollywood nonsense). But I just found Outlaw King boring and poorly acted. I mean, the Scottish hills look pretty and all, but for all the emotion offered by Chris Pine, his part might as well have been played by a cardboard cutout. And it's not like anybody else did better. Plus, what's with the accents? In a cast of hundreds, maybe 10 people sounded like they were actually from anywhere in Scotland. I remember a while back seeing constant ads for 'Scottish men with beards' to be extras in the Robert the Bruce movie being filmed here. I guess in the end they even let a couple of them talk! 

By the way, where's this unwritten rule that the heroes of Scotland can never be played by real Scottish people in films? William Wallace: Australian. Robert Bruce: American. Mary, Queen of Scots: Irish. What's next? Zac Efron as Robert Burns? A musical about Saint Andrew starring Hugh Jackman? Jennifer Lawrence in the Flora MacDonald story? 

But back to my original point: Robert the Bruce deserves his own movie. It's just too bad the one he got is poor. I've read more Scottish history than the average American... football stadium full of people. And the events in the flick seem pretty accurate, but I find it funny how they portray Robert as so conflicted about his actions, doing it all for love of family and country. Not really how the dude comes off historically. Everything written about him makes it clear that he wasn't at all a nice guy, and evidence shows that his actions were largely driven by a desire for power. He changed his allegiances constantly, taking the side of whoever was most likely to put him on the throne. Then when he discovered that person wasn't going to make him king, he was offski, stabbing them in back... sometimes literally.

But that's not to say I don't like and respect the guy. He came up with tactics that allowed a small rag-tag band of rebels to defeat huge armies with superior weaponry. He brought sovereignty back to Scotland. And his victory inspired a folk song that serves as an unofficial national anthem, which I sing loudly and proudly before every Scotland rugby game. 

Being Scottish and being a fan of Robert Bruce is like defending your dickish friend. Sure, he was kind of a ruthless, power-hungry asshole, but he was OUR ruthless, power-hungry asshole.

I just wish someone would make him a better movie. 

Saturday 12 May 2018

Our Last Wah-Ohhhhh - Goodbye to Scott Hutchison


While my musical interests and obsessions go far and wide, over the course of my life there are three particular musicians who have become essential in my life. Whose work has always been there for me. Who have provided the words that took me through my best times, my darkest days, and most everything in between.



The first to come along, way back in my teen years, was Henry Rollins. Then the college era brought the second in Robbie Williams (and if you’re someone who thinks Rob’s just a vapid pop music egomaniac, you’ve never listened to anything coming out of his mouth).



The third, who I came across several years ago via his band Frightened Rabbit, was Scott Hutchison, who we lost earlier this week.



When you’re so intimately connected to the art that someone produces, they become a part of your daily life, and you feel like you know them. Scott was always very open about his battles with depression, so when I read his tweets Tuesday night that indicated a rough mental state, I became worried. I thought, I really hope someone is with him, helping him out of this. And when I woke up to news Wednesday morning that he’d gone missing shortly after what he put on Twitter, I was sure he was gone, that the depression had won. Then I tried to remind myself that we didn’t really know anything yet, and tried to become hopeful. I spent all Wednesday and Thursday checking for news that he’d turned up just fine, but always with the terrible gut feeling that a happy ending wasn’t coming.



Meanwhile, a virus or sinus infection was taking over my body for those same two days, and I woke up Friday unable to battle it any longer. I fed the cat, called in sick to work, and went straight back to bed. It was only when I woke up again a few hours later that I checked the news and saw that Scott’s body had been found. Between my feeling unwell and the pain of the loss, I set about wallowing and started trying to find the words to explain how I’m feeling.



As usually happens, I remembered that Henry Rollins had perfectly explained what’s going on in my head now, back in an LA Weekly column after the deaths of Prince and David Bowie. Because he says it much better than I ever could, here’s an excerpt (deletions are only to remove specific references to those two artists):



Obviously, everyone will eventually be gone, but sometimes when they’re extraordinary and you know them only through their output... the sadness you feel can be profound. There are none of the mere mortal speed bumps to impede the impact of loss. You have heard the wisdom of hating the sin but not the sinner. It’s a way to go but hard to do. If we were able to love music without loving the musician, the passing of [the musician]… would be a lot easier to handle. It’s just not how we’re wired. The music is real, so then is the sorrow of its creator’s passing.



These artist-fan relationships are so perfect, in many ways they have nothing with which to compare in “real” life. That’s the thing, though, how you relate to the music you like, that is real. It’s as real as anything.



So as you can guess, I took Scott’s death pretty hard. It is a genuinely heartbreaking loss for me, and leaves something missing from my life. But I also think there’s some benefit to having a relationship with someone you’ve lost through their art. If a person you see and talk to every day dies, you’ve completely lost your way of connecting to them. But if your primary way of relating to someone is through what they created, that relationship can live on. It still hurts, I’m still mourning the loss of any future work he might have created, all the other times I might have seen him play live, and the fact that he’s just flat out a great person who’s not around anymore. But someday, when that passes, the music will still be there. His artwork will still be hanging on my wall. And with that, he can still continue to speak to me in the primary way he always did.



Of course, when I told Jody the much more shell-shocked and less wordy version of that right after getting the news yesterday, he agreed, but added, "It’s still someone you essentially followed over two continents.”



Good point.



Like Henry and Rob, Scott and Frightened Rabbit quickly became an excuse to travel. They’re not coming to Seattle this tour? No problem, I’ll go to them. I didn’t keep meticulous logs of all the FRabbits shows I attended, but I think the final tally was 9 live performances, all in different venues, across 5 cities in 4 countries. The last one was less than 2 months ago. I loved those live shows. I couldn’t get enough of them. And that will probably be what I miss the most: seeing Scott up there with his bandmates, belting out a sad song, cracking wise, seeming truly touched that the crowd knew all of the words he’d written and sang them right back to him.



Since Scott’s disappearance, many people have said how much his music, and his openness about his own mental health, helped them out. I have dealt with depression and anxiety to a greater or lesser extent at different points in my life, and in most cases, music is my saviour. Because of some tough life circumstances these last few years, both have snuck back in and tightened their grip on me once again. But I’m lucky, because even on my worst days, I don’t get deep into the kind of despair that many others have to fight. I do, however, know how hard it is to get out of bed in the morning when depression is telling me I can’t do it, or how impossible it feels to go out in public when social anxiety’s insistent that I shouldn’t. So I can’t even imagine how difficult it must be when that You just can’t do this depression voice applies to going on living.



So if you are someone who gets to that place, I beg you to remember that we need you. The world is a better place with you in it. And if you don’t think that’s true, please go talk to someone who will remind you that it is, that depression lies. Scott, in his personal connections and his work, was that person for so many people. He helped to pull so many out of their darkest places. It’s beyond heartbreaking that he succumbed to it himself.



So please, everyone, be there for each other. If you see someone struggling, reach out.



And the rest of the time, do your best to live by one of Scott’s simplest, but most profound lyrics: While I’m alive, I’ll make tiny changes to Earth.





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